Saturday, August 22, 2020

READING: True Story by Kate Reed Petty

Publication date: August 4 2020
Published by: Hatchette Australia
Genre: Adult, Contemporary, Sexual Assault, High school, Abuse, Real Life, Suspense
Rating: 

Back in 1999, Nick Brothers and his high school lacrosse team return for their senior year in a well-to-do Baltimore suburb as the reigning state champs. The afterglow of their big win is bound to last until graduation; not even the pressure of college applications can get in the way of their fun. But when a private school girl attempts suicide in the wake of one of the team's "legendary" parties, and a rumor begins to circulate that two of Nick's teammates sexually assaulted her, it seems like it might ruin everything--until the team circles the wagons, casts doubt on the story, and the town moves on.

But not everyone does. Fifteen years later, four people--Alice, Nick, a documentary filmmaker, and a wealthy entrepreneur--remain haunted by the roles they played, the things they still don't understand, and how the story has shaped their lives. In sections told from different points of view, each more propulsive than the last, the layers of mystery are gradually peeled back as we barrel toward the truth of what really happened that night . . . and what came after.


I received an ARC of True Story from Hatchette Australia and these are my thoughts.

Trigger warnings: sexual assault, abuse, alcoholism

I am sitting here for the past 20 minutes trying to decide how to start this review and I am coming up empty. I can’t think of the right preface to really express my feelings about True Story. I personally thought it was brilliant; a thought provoking, captivating book, which will occupy your thoughts days after you finish it.

That being said, I want to make something clear: if you are after a horror/thriller book, this is not for you. Some people were disappointed that the twist ending didn’t have the impact they were expecting, or that it wasn’t suspenseful enough. That was never the point of the book, in my opinion, it goes so much deeper than that. The book was about these people’s lives, Alice and Nick’s in particular, and how the former’s sexual assault in high school affected their whole lives. 

I loved Petty’s writing. In addition to it being straightforward, brutally honest and to the point, it was also quiet addictive, which made even such a difficult-to-read book so un-put-downable. 
One my favourite parts was Alice’s essay drafts for college. Her frustration and desperation to write about anything but her assault, and her enormous effort to “focus on the positive” when it was practically impossible, is palpable. You can see it in the amount of drafts she writes (all included in the book), and their repetitive content. The final tutor-approved draft, showed Alice’s tenacity and ability to turn even a silly thing as shoes (who writes about shoes making an impact on their lives in a college essay??) to a feminist message. She was a sexually assaulted 18-year-old girl, who was made to focus on the positive (otherwise no college for her!) and she did the best she could, even though she would never accept the compliment or admit it to herself.

My other favourite part was when Nick goes to the cabin. It got me hooked from the very first word and I didn’t put the book down until I finished the whole chapter. Nick’s voice filled me with dreadful anticipation of something horrible waiting to happen at any time. And something horrible was happening at any given time, because that was Nick’s life. It was awful and pitiful, but it didn’t make me feel sorry for him. I felt that Nick wouldn’t want anyone to feel sorry for him, because he believed he deserved everything that was happening to him. He was clearly self-destructive, and that cost him everything in his life. I truly believe he meant well, in a sense that he did not deliberately try to hurt anyone, but so many wrong-doers try to shake off responsibility claiming to have meant well, and Nick was the poster boy for that. In the end, I admired his self-awareness and recognition of the fact that he just wasn’t meant to have a good life, but he kept trying despite of that.

At first, the twist about Nick at the end of the book didn’t sit well with me. I didn’t see how it was all connected and it just didn’t make sense to me. After more careful consideration, I realised that it’s what brings everything together in the end, and actually explains a lot.
For example, when I thought that Nick killing Q was a bit of a stretch. Of course it was, because it was fiction. Q is still alive. Or isn’t, we don’t know. It was part Alice’s wishful thinking, to finally kill the monster, and part wanting to make Nick do one heroic deed before he disappeared into fictional oblivion. Plus, his cabin chapter makes more sense when you realise it’s fiction.

In regards to the sexual assault and the revelation in the end, I believe it’s open to interpretation. Granted, Alice seemed convinced by Richard’s confession but let’s not forget that Richard is a master manipulator, he does that for a living! and he would say anything to avoid exposure. No matter if it did happen or not though, that is not the point. The point is the irreparable damage that even the smallest indication of sexual assault can do to the victim’s psyche. This experience shaped Alice’s whole adult life, that is an undeniable fact (see chapter with Q). Even if it’s ever proven otherwise years later, she couldn’t just go “Phew, what a relief!” and move on. Absolutely not. Something like that changes you forever and it is almost impossible to go back to a state when it didn’t happen. 

That being said, Alice, like with her essay drafts, finds a way to focus on the positive and manages to see a sliver of light at the end of a very dark, terrible tunnel. She decides to write her own narrative and not let anyone tell her story any more. She only knows her version to be true because it happened to her, it’s her story, which she says she used to punish those who hurt her, but also to forgive. This way, Petty expertly showcases the dichotomy between Alice’s still pervasive anger and her willingness to finally let go in the most satisfying ending this book could get.

I am aware that this book deals with sensitive matters, but sometimes we need to get a little uncomfortable in order to face reality, because these things happen all over the world every day. I would definitely recommend it to teenage girls and boys-so much more to take away from than a superficial YA romance, in my opinion.

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Thursday, August 13, 2020

READING: A Court of Frost and Starlight (A Court Of Thorn and Roses #3.1) by Sarah J. Maas

Publication date: May 1 2018
Published by: Bloomsbury USA
Genre: YA, Fantasy, Fae, Magic, Kings, Romance, Suspense 
Rating: 


Feyre, Rhys, and their close-knit circle of friends are still busy rebuilding the Night Court and the vastly-changed world beyond. But Winter Solstice is finally near, and with it, a hard-earned reprieve. 

Yet even the festive atmosphere can't keep the shadows of the past from looming. As Feyre navigates her first Winter Solstice as High Lady, she finds that those dearest to her have more wounds than she anticipated--scars that will have far-reaching impact on the future of their Court.


Um. Wtf was that?

Not that it was any worse than ACOWAR (at least this one was short!) but it looks to me like Sarah J Maas is purposefully sabotaging her own books. Or she simply writes whatever because she knows it's going to sell, which somehow is even worse.

First and foremost, there is too much sex in this book. Thankfully, not too much actual sex, but the insinuation of it was very prominent throughout it. Everyone was either talking, thinking or acting like sex was the only thing they think about ALL.DAY.LONG. How they get anything done, is beyond me! Especially Rhysand, whose possessive side, or rather lack thereof, was the only thing setting him apart from the big bad, Tamlin, or at least that's what Maas wanted us to think at the time because it suited her story. Rhysand was always shown as the good guy, the nice guy. Not that nice guys shouldn't have a high sex drive or that they shouldn't enjoy rough sex, not at all. Maas however, had attributed these characteristics to Tamlin in ACOMAF if you remember, and we all know Tamlin is the scum of the earth (eyeroll). So now, having Rhsyand repeatedly saying shit like "can't wait to take her" in reference to having sex with Feyre, especially after the sensitivity talk about how abusively Illyrian women were treated by men, it was absolutely disgusting and completely out of character. Another one ruined Sarah J Maas, thank you. 
And it wasn't just Rhysand and Feyre, even though they were my biggest problem in the book. 
Amren and Varian - sexual looks and touches in every interaction
Nesta and Cassian - Cassian ALWAYS looks like he's seconds away from jumping her
Again, nothing wrong with liking sex and lots of it, of course not. But not in this setting, and definitely not when it's used in place of a story with an actual plot.
Also, we are talking about a Young Adult book, yeah? I think everyone keeps forgetting that.. That is why I decided not to comment on Rhysand and Feyre's sex scene. 
Psych! Of course I will! 
It was unnerving and made me cringe. They both had way more chemistry Under the Mountain in ACOTAR, than now.

Going back to Rhysand and how Maas unapologetically destroyed him: he gave Feyre painting supplies as a Solstice present, sketchbooks etc. Hmmmmm 🤔 Does that remind you of anyone by any chance? Maybe Tamlin in ACOMAF, giving Feyre the exact same present and her hating it, thinking it was another way for him to control her and pressuring her into doing something she didn't want? I just found it interesting how Rhysand is slowly morphing into Tamlin, but for some reason it's ok now because he is Rhysand, and not a total loser like Tamlin, which Maas doesn't let us forget for a second. It wasn't only the scenes at the Spring Court that bothered me, but the constant reminder throughout the book that he deserved everything that happened to him. It just didn't sit well with me and I found it cruel and unnecessary.

Speaking of cruel, Feyre is such a little b.
Wait, scratch that. A major b! Where does she get off acting all superior to Lucien, like she's better than him or something? He came to bring her Solstice presents, which he absolutely didn't have to, and she only showed him scorn and derision, mocking him for his choice of friends. She is a hateful *%$#*& with a massive inferiority complex. Never ever liked her.
Lucien on the other hand, I like. I think he has the potential to become an awesome character, if Maas doesn't ruin him too.
Also, to Lucien: forget Elain, man. She is as bland as a napkin and you definitely deserve better. xx Love, me ❤️

Can we ease up on the use of the word "mate", please? You don't need to use it 100 times to remind us that Rhysand and Feyre are mates, WE GET IT! That was a huge pet peeve of mine in ACOMAF as well. Also, for us Aussies, the word "mate" has a slightly different connotation.
Whenever I read sentences like (paraphrasing): "I did all this for you, mate", I always thought of the following:
"Oi mate, get us a beer and I'll light up the barbie".
Ew.

After reading ACOFAS, I wonder why I didn't just stop at ACOMAF all these years ago? I thought it was mediocre then, and my opinion has only gotten worse for the rest of the series.
I would like to read Nesta and Cassian's story, I am not gonna lie. It is intriguing enough to me to borrow the book from the library when it comes out and give it a try. 
Cassian -- I already have him pegged, I highly doubt he'll surprise me in the books to come. Honestly, I just don't want him to turn into another Rhysand. That would be enough for me.
Nesta -- I am still on the fence about her. I definitely don't hate her like Feyre, but I think the whole angry kitten vibe has worn a little thin. I'm still holding out hope however that she can be more than that.

Stray observation: 
If I see this in one more book, I am going to scream:

"Didn't used to" ðŸ™…🙅💣

It is not grammatically correct! It's just not. You can't use negative followed by a verb in past tense.
I don't even know how many eyes have gone through this book before its release, and somehow nobody picked it up. 
Just because "didn't used to" is homophonous with "didn't use to", which is the correct form, doesn't mean it's right. Ffs, so many teens and pre teens are reading your books, have a little care. And it's not just Maas. I have seen this in hundreds of books. For shame.

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Sunday, August 9, 2020

READING: A Court of Wings and Ruin (A Court Of Thorn and Roses #3) by Sarah J. Maas

Publication date: May 2 2017
Published by: Bloomsbury USA
Genre: YA, Fantasy, Fae, Magic, Kings, Romance, Suspense 
Rating: 

Feyre has returned to the Spring Court, determined to gather information on Tamlin's manoeuvrings and the invading king threatening to bring Prythian to its knees. But to do so she must play a deadly game of deceit – and one slip may spell doom not only for Feyre, but for her world as well.

As war bears down upon them all, Feyre must decide who to trust amongst the dazzling and lethal High Lords – and hunt for allies in unexpected places. 



It took me almost a month to finish this book, and for a good reason.

We are in the middle of a very bad second wave of COVID-19 here in Melbourne and quite honestly, I was in no mood to read. I have been working from home since 1st of April and I have only been out for grocery shopping since then. With my family in another country and all my friends on quarantine, it has been a lot, to put it mildly. And reading this boring as book, didn't help at all!

I am not even gonna try to review ACOWAR. For me it was a waste of my time and try as I might, I can't find anything positive to say about it. 
The last battle with Hybern which was the only thing I was looking forward to was a hot mess, with things happening way to quickly and with no rhyme or reason.
Feyre's dad appeared out of nowhere, all hero-like all of a sudden when up until then he was admittedly the biggest coward, only to die so quickly minutes later. What was the point of that? And Feyre could resurrect Rhys possibly owing a million favors to all High Lords, but her father she didn't even give a second thought? And I am supposed to believe her sadness? Please, she couldn't care less. She always thought he was a wimp and I would have respected her way more if she didn't pretend to mourn him.
To me ACOWAR was a book full of grunts, snorts, chuckles, repetitive patterns and boring as scenes. 699 pages of it. At least ACOMAF had flowed smoothly and was literally unputdownable, regardless of its questionable content. ACOWAR is definitely not a worthy sequel and the 4.46 Goodreads rating astounds me.

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